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Rabid

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Internal Medicine
Selasa, 14 Januari 2014

Rabid: A Cultural History of the World's Most Diabolical Virus [Format Kindle]

Author: Bill Wasik | Language: English | ISBN: B0072NWKG0 | Format: PDF, EPUB

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Rabid: A Cultural History of the World's Most Diabolical Virus
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Extrait

Introduction

Ours is a domesticated age. As civilization has advanced over the march of millennia, humans have assiduously stripped the animal kingdom of its armies, decommissioned its officers. Some erstwhile adversaries we have hunted to extinction, or nearly so. Others we confine to zoos, to child-friendly safari parks. The balance we shunt to the margins as we clear their land for ourselves—erecting our own sprawling habitats on the ruins of theirs, naming our cul-de-sacs for whatever wilderness we dozed to pave them.

Peer through news reports, though, and one can find pockets of resistance, as if some ancient animal essence were periodically reawakening. Consider the bobcat in Cottonwood, Arizona, that set out on a rampage one recent March evening, menacing a worker outside a Pizza Hut and then sauntering into a bar, sending patrons onto the pool table, mauling the one who dared to snap a picture on his phone. Or the furious otter in Vero Beach, Florida, at a waterfront golf community called Grand Harbor (a “gated enclave,” brags its website, “for those seeking the ultimate resort-at-home lifestyle”), that gnawed three residents, one of them while out on the links. Or the enraged beaver at the Loch Raven Reservoir, in the genteel exurban sprawl north of Baltimore, that cruelly interrupted the summertime reverie of four swimmers, a nightmare that ended only when the husband of one pulled the beaver from his wife’s upper thigh and smashed it with a rock.

Typically these creatures will shun the society of humans. But in an instant we can find them transformed into bewilderingly avid attackers, accosting us as we retrieve our mail or walk our dogs, sometimes even carrying out a home invasion. A particularly harrowing tale comes to us from the Adirondack hamlet of Lake George, N.Y. On an April evening just a few years ago, a young couple was walking from their car when they were set upon by a gray fox. The two managed to rush inside their home and close the door. But nearly a half hour later, when they opened the door again, the fox lay in wait; it sprinted toward the opening; only quick reflexes allowed the young man to close it just as the creature’s snout broached the threshold. When an animal control officer arrived, the fox attacked his SUV, repeatedly sinking its teeth into his tires. He shot at it multiple times from out his driver’s side window, but failed to hit his mark. Later, after the officer had finally run the fox over, he told a reporter that it was the single most aggressive foe he had encountered in nine years on the job. “This was a four- or five-pound animal attacking a 3,000-pound vehicle,” he said.

The sheer tenacity: that is the truly chilling element in all these tales. “What disturbs me,” remarked one Connecticut man to the local news, regarding the raccoon he had lately beaten to death with a hammer, “is I smashed his mouth off, I smashed his teeth in, but he still wanted to continue in the attack mode. I was actually terrified at the resilience of this animal.” In Pittsfield, Mass., on a sleepy street backing up to the Housatonic River, a fox attacked twice in an eight-hour span. In the first incident, one neighbor struck the fox multiple times with the lid to his barbecue smoker. Yet still the fox returned earlier the next morning, biting the girl next door; it took twenty minutes for the man and her sister to pry the fox off her leg, before the man could knock the fox unconscious and then choke it to extinction.

One victim in Putnam County, New York, survived her own interminable ordeal with a raccoon, which assaulted her at the end of her half-mile-long driveway. She held down the snarling beast while she tried to free her cellphone to call the house; eventually, her husband and son had to club the raccoon repeatedly with a tire iron before it died. (“I felt that nature had betrayed me,” she later told a reporter for the public-radio show This American Life.)Then there was the red fox in South Carolina that pursued a nine-year-old as he made his way to the school bus one morning. After an adult neighbor sheltered the boy in his house, the fox latched onto the good Samaritan’s foot. He flung the animal into his home office, where it flailed against the walls and windows before finally falling asleep on a dog bed.

Nearly any species can be afflicted. Arizona officials were recently called to the scene after a dog was attacked by a mad peccary, a pig-like creature whose residence in the southwest had until that point been considered largely peaceable. In Robbins, N.C., it was a skunk that beset the pet Pekinese of David Sanders, who was forced to watch the two creatures battle it out for the better part of an hour. (Sanders was unable to shoot the challenger, he explained, because all he had at hand was a shotgun.) In Decatur County, Ga., a donkey fell prey to the madness and bit its owner on the hand. In Imperial, Nebraska, the afflicted animal was literally a lamb, part of a child’s 4-H project gone terribly, almost Biblically awry. Some primeval force must truly be at work when the lamb can be made into a lion.

***

The agent of all these diabolical acts of possession is, of course, a virus. It is the most fatal virus in the world, a pathogen that kills 100 percent of its hosts in most species, including humans. Fittingly, the rabies virus is shaped like a bullet: a cylindrical shell of glycoproteins and lipids that carries, in its rounded tip, a malevolent payload of helical RNA. On entering a living thing, it eschews the bloodstream, the default route of most viruses but a path fraught with danger from immuno-protective sentries. Instead, like almost no other virus known to science, rabies sets its course through the nervous system, creeping upstream at one to two centimeters per day (on average) through the axoplasm, the transmission lines that conduct electrical impulses to and from the brain. Once inside the brain, the virus works slowly, diligently, fatally to warp the mind, suppressing the rational and stimulating the animal. Aggression rises to fever pitch; inhibitions melt away; salivation is ratcheted up. The infected creature now has only days to live, and these he will likely spend on the attack, foaming at the mouth, chasing and lunging and biting in the throes of madness—because the demon that possesses him seeks more hosts.

If this sounds like a horror movie, we should not be surprised, for it is a scenario bound up into our very concept of horror. Rabies is a scourge as old as human civilization, and the terror of its manifestation is a fundamental human fear, because it challenges the boundary of humanity itself. That is, it troubles the line where man ends and animal begins—for the rabid bite is the visible symbol of the animal infecting the human, of an illness in a creature metamorphosing demonstrably into that same illness in a person.

Today, we understand that more than half our new diseases (60 percent, by a recent tally in Nature) are “zoonotic,” i.e. originating in animal populations, and our widespread fear of the worst of these (swine flu, AIDS, West Nile, Ebola) has been colored by our knowledge of their bestial origins. It is hardly an exaggeration to say that nothing has made humans sicker than our association with animals. Not only our emerging diseases today but the major killers throughout the ages—smallpox, tuberculosis, malaria, influenza—evolved from similar diseases in animals. This is what Jared Diamond has called “the lethal gift of livestock,” a major shaper of human destiny; the very fact that the agricultural lifestyle won out over that of the hunter-gatherer is due in part, Diamond argues, because the former “breathed out nastier germs.” Through their close contact with livestock, early farmers built up immunity to illnesses that would readily kill unexposed populations, a dynamic that still holds for emerging infectious diseases today.

Yet until the early twentieth century, humans had no idea that so many of its illnesses derived from animals. During those years when the most catastrophic zoonosis in history struck—the fourteenth-century Black Death, or bubonic plague, which spreads to humans via fleas living on the backs of rats and other rodents—scholars blamed nearly everything else, from demonic forces and bad air to astronomical happenings and even human malefactors. For centuries, rabies was the only illness in which the animalistic transfer, or more like a transformation, was clear. No microscope was required to see the possession take place. A mad animal bit; a mad man appeared; each would die a terrible death. The madness could lurk within any beast, even in—especially in—the most domesticated and loyal of all, the dog.

As the unique mode of animal to human infection, rabies has always shaded into something more supernatural: into animal metamorphoses, into monstrous hybridities. When Greek myth beholds Lycaon, king of Arcadia, as he transforms into a slavering wolf, his countenance is “rabid,” his jaws “bespluttered with foam.” In fifteenth-century Spain, witch-hunters called saludadores were reputed, also, as healers of rabies, a convergence that makes eminent sense given the widely-held association between witches and demonic canine familiars. Between the fifteenth and eighteenth century, Europe gestated two enduring legends whose part-human, part-animal malefactors bite their victims, thereby passing along their own degraded conditions—namely, the werewolf and the vampire, both of whom haunt the Western imagination to the present day. As Susan Sontag pointed out, even as late as the nineteenth century, when viruses were becoming well understood and a rabies vaccine lay just around the corner, the true source of the rabies panics in France was not the fatality of the disease but rather the “fantasy”...

Revue de presse

“A searing narrative.”
—The New York Times
 
“In this keen and exceptionally well-written book, rife with surprises, narrative suspense and a steady flow of expansive insights, ‘the world’s most diabolical virus’ conquers the unsuspecting reader’s imaginative nervous system. . . . A smart, unsettling, and strangely stirring piece of work.”
—San Francisco Chronicle
 
“Fascinating. . . . Wasik and Murphy chronicle more than two millennia of myths and discoveries about rabies and the animals that transmit it, including dogs, bats and raccoons.”
—The Wall Street Journal
 
“Rabid delivers the drama of Louis Pasteur’s courageous work developing the rabies vaccine at the same time it details the disease’s place in our cultural history, taking us from Homer to the Bronte sisters to Zora Neale Hurston to Richard Matheson. . . . All along the book’s prose and pace shine—the book is as fast as the virus is slow.”
—The Seattle Times
 
“A very readable, fascinating account of a terrifying disease….Wasik and Murphy grippingly trace the cultural history of the disease. . . . Rabid reminds us that the disease is a chilling, persistent reminder of our own animal connections, and of the simple fact that humans don’t call all of the shots.”
—The Boston Globe
 
“Compelling. . . . Murphy and Wasik give life, context and understanding to the terrifying disease. Like the virus itself, this fascinating book moves quickly, exploring both the marginalized status and deadly nature of the virus. And as the authors trace the influence of rabies through history, Rabid becomes nearly impossible to put down.”
—New Scientist
 
“An elegant exploration of the science behind one of the most horrible way to die.”
—Chris Anderson, author of The Long Tail
 
“This book is not for the squeamish. Yet those who are fascinated by how viruses attack the body, by the history of vaccination and by physicians’ efforts to save the most desperately ill patients will want to read it. There is also a happy ending: scientists are working to harness rabies as a potent drug delivery vehicle.”
—Scientific American
 
“[Wasik and Murphy] offer an in-depth look at a disease so insidious that it even turns our best friends—dogs—against us. The pair convincingly link the history of rabies…with the history of man’s fear of nature and the unknown, and our own latent capacity for beastliness.”
—The Daily Beast
 
“Thrilling, smart, and devilishly entertaining, Rabid is one of those books that changes your sense of history—and reminds us how much our human story has been shaped by the viruses that live among us.”
—Steven Johnson, author of The Ghost Map
 
“Rabies has always been as much metaphor as disease, making it an excellent subject for cultural history. . . . As Wasik and Murphy document . . . the horror of rabies has been with us since the beginning of human civilization.”
—Bookforum
 
“Funny and spry. . . . It’s a rare pleasure to read a nonfiction book by authors who research like academics but write like journalists.”
—Alice Gregory, n+1
 
 “Readable, fascinating, informative, and occasionally gruesome, this is highly recommended for anyone interested in medical history or the cultural history of disease.”
—Library Journal (starred review)
 
“Take Bill Wasik, one of our most perceptive journalistic storytellers, have him join forces with Monica Murphy, scholar of public health, and you end up with this erudite, true-life creep show of a book. It turns out that the rabies virus is a good bit more fascinating and at least as frightening as any of those blood-thirsty monsters that have stalked our fairy tales, multiplexes, and dreams.”
—Donovan Hohn, author of Moby Duck
 
“Ambitious and smart.”
—Publisher’s Weekly
 
“Terrible virus, fascinating history in Rabid.”
—NPR
 
“As entertaining as they are on rabies in culture, the authors also eruditely report on medicine and public health issues through history, from ancient Assyria to Bali to Manhattan in the last five years, showing that while the disease may be contained, it may never be fully conquered. Surprisingly fun reading about a fascinating malady.”
—Kirkus Reviews
 
“The ultimate weird dad book.”
—Very Short List
 
“The rabies virus is a microscopic particle of genes and proteins. And yet it has cast a fearful shadow over all of human history. Bill Wasik and Monica Murphy have produced an eerily elegant meditation on disease and madness, dogs and vampires. It's as infectious as its subject.”
—Carl Zimmer, NPR contributor and author of Parasite Rex
 
 “A fun read, rivaling a Stephen King novel for page-turning thrills.”
—The Awl
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Books with free ebook downloads available Rabid: A Cultural History of the World's Most Diabolical Virus

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 1248 KB
  • Nombre de pages de l'édition imprimée : 287 pages
  • Pagination - ISBN de l'édition imprimée de référence : 0143123572
  • Editeur : Penguin Books; àdition : Reprint (19 juillet 2012)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ASIN: B0072NWKG0
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    It is unfortunate that Rabid's best chapters fall at the end of the book. I loved reading about Louis Pasteur's experiments and the rabies outbreak in Bali. The author, Bill Wasik, finally has real personalities to work with, real scientific challenges to chronicle, real stories to tell. After slogging through the first two-thirds of Rabid I perked up and found myself thinking, "Well, most of this book was a chore to read but this...this!...would make a great magazine article."

    And if that sounds like damning by faint praise, well...it's meant to. Rabid is not one of those books whose defined, narrow subject cuts an exciting trail through the vastness of history. It tries to be. It traces the emergence of rabies from ancient Egypt to the present, it grapples with the cultural history of animal domestication, the interplay between cultural prejudice and scientific discovery, the forward march of science and the sheer power of fear.

    It would be awesome, except that it isn't. Huge chunks of the book are very academic, dense, factual prose. Which is interesting if the author has some revolutionary argument to make. Some brilliant idea to frame and polish. Wasik is just cataloguing what seems to be every single historical mention of rabies ever. I felt like I was reading an earnest undergraduate paper and I pitied all of my former professors.

    The closer that Wasik gets to the present the more interesting his material. He's got chops enough to make the story of rabies in the modern world pretty fascinating - everything from Louis Pasteur to the present is great. All of a sudden he's writing narrative non-fiction of the kind I like most, where there's a story and characters, challenges to overcome, anecdotes to relate.

    There's some good stuff in here, but I'd only recommend the book to people who are either (a) deeply, deeply interested in rabies or (b) really guiltless about skimming the boring bits.
    Par Erin Satie
    - Publié sur Amazon.com
    Bill Wasik and Monica Murphy have explored the disease in "Rabid: A Cultural History of the World's Most Diabolical Virus."

    "Diabolic," defined as a characteristic of the devil, is a good word to use. The almost always-fatal (if untreated) virus renders its victims 'hydrophobic' - terrified of water. As the victims mind devolves into a virus-ravaged insanity, whatever personality once held by the person or animal disappears, replaced by a no-doubt devilish incoherence and rage.

    Every 'zombie' movie basically has rabies as the model - an untreatable disease where killing the victim even before the disease's onset is considered the humane course of action. The authors use examples of Will Smith's "I Am Legend," where his character kills his dog, his only friend, as soon as a rabies-like condition presents itself, and "Old Yeller," the frontier tragedy, which saw the title character unfairly suffer the same fate.

    "Rabies" is written as a cultural history, much more than a medical journal or report. It's mostly third-person, until the end. The authors do dwell on various treatment options - and a chapter is given to Louis Pastuer's discovery of the rabies vacciene. But their primary goal is showing how this disease has factored into various cultural fears for hundreds of years.

    Even without much true scientific knowledge, the doctors of the Middle Ages and before could still see the link between a 'mad' dog's bite, and the similar, fatal condition that the victim might then suffer. The terror of such a ghastly disease - with such an obvious and common cause - would clearly have made it far more horrible than an equally fatal flu or cancer, where no such link existed.

    The authors look into recent British fears about the English Channel Tunnel connecting England and France, and how this new landline might open the island of England to a rabies epidemic.

    Which did recently occur in the island of Bali, the authors relate, where an inefficient and poorly executed dog-'culling' program was the response to an epidemic created when one rabid dog arrived on the island. Dozens of Bali, Indonesia citizens died of the disease despite the treatment options - in an island with no recorded rabies cases, nobody believed it could happen.

    While at first I wasn't interested in a lengthy chapter that dealt with human's longstanding relationship with dogs, I soon realized that our love and sometimes mistreatment of our dogs comes from our own societal roots. We know that a good dog is loyal and friendly to a fault, but behind the playful eyes is our subconcious knowledge they sometimes carry this humanity-stripping disease.

    Just as dogs have been hardwired with a domestic influence over thousands of years, it's fair to say that our cultural reliance on rabies-based horror choices came from generations of this back-of-the-mind fear of an animal we take for granted - until their bite drives us insane.

    It is not a "fun" book, but it is exciting and horrifiying, and that does make it compelling and interesting.

    This review is based on a complimentary advance review copy.
    Par Nathan Webster
    - Publié sur Amazon.com

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